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Sunday, December 31, 2006

I’ve been thinking about the various connections between the three eras of H&H. There will be thematic connections and generational ones. But the temptation is to keep adding more threads to tie the characters’ stories, primarily symbols that recur across stories and time. My problem now is to be selective, both as to the number of them and how firmly they’re rooted in meaning. These things can be gimmicky, gadgets. How to be selective enough and demanding of each that it carry real weight, that will be the big challenge. I’ll likely over-do in the early drafts and cut back as I edit and shape the novel.

This year has been amazingly fruitful for me and my writing, beginning to end. I’ll be more than satisfied if 2007 is half as good. 

Thursday, December 21, 2006

 

I'm still searching for my novel's narrative voice/language/diction in the Civil War era sections. The other two sections' voices have come easier. But not the 1860's. The tones struck in period journals and letters seem affected, as if the writers strain for something loftier than a natural mode of expression. Picking up a pen can do that. At the same time, a modern narrative voice would surely sound wrong. Whatever voice I settle on needs to both blend and contrast with that of the other two eras, while seeming true to its time. No small order, this.

 

For now, I'm writing forward, letting the voice be however it falls on the page (screen), writing with absolute faith that all this will work out in the end.  

 

Sunday, December10, 2006

 

I signed copies of TKTLB at Poor Richard's Books in Frankfort, KY on Thursday. There were sixteen other authors there signing books for holiday shoppers, sipping wine, and nibbling on crackers and cheese. The weather outside was frigid and breezy, the temperatures near record lows.

Click here for a photo.

For most of the evening, the aisle between tables was crowded with shoppers. Most gift buyers favored photography books. Only two of us had books of fiction, and I'm happy to report that I signed quite a few copies of TKTLB, several more than I'd expected. All in all, it was a fun evening, warm inside and friendly beneath high shelves of books, pleasant talking about books with people who love and give them as gifts.

 

Writing the first draft of H&H is moving happening, but slowly. It seems now that the Civil War era section of the novel will feature brothers serving in the same unit of the Union Army.

 

Monday, December 4, 2006

 

I'm reading The Life of Billy Yank by Bell Irvin Wiley. Based on Wiley's reading of several thousand letters, journals, and documents by and about Union soldiers in the Civil War, it depicts a typical soldier's daily life from enlistment (or conscription) thorough training and battles. It's the sequel to Wiley's similarly researched The Life of Johnny Reb published several years earlier. I'm not intending that H&H be heavy with researched detail. But I'd like for what details are in the novel to be authentic. 

 

I'm arranging a reading for the Berea Arts Council as part of the reception for their Bookends and Books Exhibit in January. I'll be reading, along with Richard Taylor, former Kentucky Poet Laureate and author of the recently released Sue Mundy: A Novel of the Civil War. We may have appropriate music, too, if that can be arranged. It should be a fun evening.

 

Thursday, November 23, 2006 (Thanksgiving Day)

 

H&H grew by a few paragraphs in recent days, these in the Civil War era section. I still haven't written anything from the Dust Bowl era. Interestingly, I see that the book I'm reading for related background, The Worst Hard Time by Timothy Egan, just won the National Book Award. It is excellent.

 

The big news of the week is the New York Times review of TKTLB, which has me wonderfully pleased. See my news & interviews page for details. 

 

Sunday, November 12, 2006

 

Yesterday was the 25th Kentucky Book Fair in Frankfort, KY. I've attended each year since moving to the state eleven years ago, buying books for myself and presents for friends. This year's fair was my first on the author side of the table. What a marvelous experience it was.

Click HERE for a photo.

Two hundred and six authors sat behind tables loaded down with their books. Outside the weather was breezy, drizzly, cold. From the time the doors opened at 9:00am until about 2:30pm, the aisles were crowded with readers. Checkout lines backed up, extended into the signing area.

I had a great spot, center aisle near the front. With a full roster of authors, we were three to a table six-feet long, me and my small stack of books in the middle, Marcia Thornton Jones, a children's book author to my left, Silas House, popular Appalachian author on my right. Jones had stacks of thirty different titles for kids, House stacks of seven titles plus a tower of new music CD's on his end of the table. Past the curtained barrier to House's right was actress Patricia Neal signing copies of her biography for an unending line. Next table to our left included Oprah-author Gwyn Hyman Rubio. Bobbie Ann Mason was there, as were Wendel Berry, NYT best-selling Kim Edwards (The Memory Keeper's Daughter) and many others.

Silas House had people lined up all day, too, and the line tended to mushroom out and block my slim slot. Similarly, kids waiting in line to talk to Marcia Jones (cute little readers, seven-, eight-, nine years old with equally eager parents) edged in front of my books waiting their turn. Luckily, I had a sign that stood taller than most of the tykes, so someone looking for me still had a shot at finding me.

The KBF people had ordered in 22 copies of TKTLB, their best guess of what might sell in good circumstances. They'd return what didn't sell. Those books were gone by noon. We brought in an emergency stash from the trunk of my car, and the KBF people called in the inventory from Joseph-Beth Booksellers in Lexington. By the time things petered out in mid-afternoon, I'd signed maybe forty-five copies. Like I say, a marvelous day.

One of the best parts of the day was seeing thousands of Kentuckians buying books, many of them with tall stacks cradled in their arms as they waited so patiently in long checkout lines. Another was talking to people about books, whether they bought TKTLB or not. But maybe best of all was seeing the youngsters waiting to talk to Jones, then, when their turn came, watching them choose the next spooky book, or doggy book, or zoo book, some book they could read by themselves. There were no whiny kids, no tantrums, no IPods or squabbling over handheld electronic games. Just kids thrilled that they'd be getting new books to read. And the woman who made those stories up was right there to sign them.

Where's Waldo, you ask?  Blue shirt, standing center frame.

 

 

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     © 2006-2008 Jim Tomlinson  All rights reserved   

  

Jim Tomlinson has been awarded an Al Smith Fellowship in recognition of artistic excellence for professional artists in Kentucky through the Kentucky Arts council, a state agency in the Commerce Cabinet, supported by state tax dollars and federal funding from the National Endowment for the Arts, which believes that a great nation deserves great art.

 

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